Maruthi's dialogue come with a dose of dirt, but he has largely stayed true to the story. Giri's eagerness to die is funny, his suspicions about the other three is neat humour at its best. The sensuous song which comes before the kiss-before-you-die moment is a testament to Maruthi's grip on the craft. The comedy is enjoyable, the dialogues are hilarious, the first half finishes on a high note. And one day he birthed a horror-filled (presumably under the influence of the films he had watched) story based on sexual perversion or male bestiality.ДЇrankly, PKC deserves to be watched for its sheer entertainment. He took up one idea (obviously, it has got to do with physical romance), made the idea his life, he allowed it to seep into every nerve of his. It is not difficult to see the secret behind Maruthi's prolificacy. What so far seemed genuinely ominous, starts to look like a travesty. The scene in which the much-blasphemed Draupadi disrobing episode becomes crude, the tastelessness comes to the fore for everyone to see. Nothing reveals the superficiality of the idea behind the film more than the double entendres spoken by one or more male characters every time before and after the evil spirit's visit. What haunts the guest house? Is it more than meets the eye about Nandita? Answers to these questions are known towards the end. Occasional ominous signs are writ large on this unsuspecting comedy film, until it becomes obvious that the tagline - Fun, Fear, Romance - is not for nothing. Nanditha and Sudheer Babu are seemingly depressed, and they have the company of Praveen (he plays the character who speaks the highest number of words), who also wants to die.ДЄfter indulging in two adventures, they along with Giri head to a palatial guest house. Imagine a film in which the pre-title gruesomeness is made to be forgotten entirely with the entry of a damsel-dude duo in distress coversing about suicide. Kudos to Maruthi and his director, Prabhakara Reddy, for pulling wool over our eyes and making us feel good about it! He takes up a curiously crazy idea and turns it into a 130-minutes-long film with a disarming panache. There is a bit of Maruthi, a bit of P Vasu, a bit of action - the last one so amateurish that one would feel that he might actually be watching a Sandalwood film.Д«ut the negatives have been cleverly glossed over by Maruthi, whose wit and craft should make even a Puri Jagannadh green with envy. 'Prema Katha Chitram' is a kind of a story which a Trivikram Srinivas would not give a try even if he was assured that it will have a 100-days run at the BO.

If one has to coin a punchline for the latest mongreal film in the town, it is this: Rape Katha Chitram.

Prema katha chitram photos